Automated tracking for live entertainment. Your lights, cameras, sound, and safety systems lock onto every performer and follow them in real time, hands-free.
No cameras, no calibration nightmares, no specialist operator. Small radio units find your performers to the centimeter and tell your gear where to point.
Each performer wears a small, light, battery-powered tag. That is all they carry, and it works through costumes and in-ears.
A handful of radio anchors mount overhead around the stage. They measure exactly where each tag is, 20 times a second.
Positions stream to your console in the standard protocol it already speaks. Bind a fixture to a performer and the beam tracks them, live.
Because the tracking speaks the open industry standard, the same rig follows performers with lights, cameras, sound, and safety, no new hardware.
Moving heads, spots, and beams lock onto each performer automatically. Replace the follow-spot op.
Robotic and PTZ cameras keep a moving performer perfectly framed for IMAG and streaming.
Immersive and object-based sound pans a voice through the room as the performer moves.
Pyro and effects hold their cue when a tracked person is in the hazard zone. People first.
The capability of systems priced for arena tours, at a small fraction of the price. Thousands of dollars cheaper than anything comparable.
It runs itself. Bind performers to fixtures once and the show follows. Or we operate it for you.
It is radio, not a camera. Blackout, haze, strobes, full wash, it never loses the performer.
Speaks PosiStageNet, the protocol modern consoles and media servers already understand. No rip-and-replace.
Ring the stage, walk a calibration path, done. No survey crew, no week of commissioning.
No internet, no cloud, no latency. Everything happens on the floor, in real time, every time.
From a club stage to a cathedral to a broadcast set, Sightline scales to the room and the show.
Ultra-wideband radio, the same precise-location tech in a modern phone. Anchors around the stage measure the exact distance to a tag worn by each performer, and the system computes their position in 3D to roughly 15 centimeters, 20 times a second.
Yes. It is radio, not a camera, so it does not care about light at all. Blackout, haze, strobes, lasers, a blinding wash, it tracks exactly the same in every one.
Anything that can aim at a point and reads PosiStageNet or OSC: moving lights, follow spots, robotic and PTZ cameras, immersive audio systems, and effects interlocks. One rig, all of them.
It outputs PosiStageNet v2, the industry-standard tracking protocol. GrandMA2 and MA3 both take it, along with many other consoles and media servers. It drops into a rig you already own.
As many as you have tags. Every performer with a tag becomes a tracked target you can assign to any fixture. It scales from a soloist to a full band and beyond.
No. You bind each performer to their fixtures once, and the show follows automatically. If you would rather not touch it at all, we can set it up and operate it for you.
Minutes, not days. Ring the stage with anchors, walk a short calibration path, and save the venue preset. Next time you are at that room, you recall it and go.
Never at showtime. Everything runs locally on the floor with no cloud and no latency. A venue with zero internet runs perfectly.
A single small, light, battery-powered tag, pocket-sized. It works through costumes and alongside in-ear packs, and the battery lasts a full show with hot-swap spares on hand.
Our safety layer knows where every tracked person is and will hold a hazardous cue if someone is inside a danger zone. It is defense in depth on top of your existing safety practice, not a replacement for it.
Dramatically. It delivers what systems costing as much as a car do, for a small fraction of the price, thousands of dollars cheaper than anything comparable on the market, with no operator to hire either.
Yes. The same position stream drives robotic and PTZ cameras to keep a moving performer framed automatically, which is a game changer for worship, corporate, and broadcast.
Tell us about your stage and we will show you Sightline tracking a real performer, in your world.
Thanks. Cameron will reach out shortly to set up your live demo.